With Prints & Photographs; Copies & Concrete at Breeze Block Gallery, Chicago-based artist Alex Lukas will focus on the involvement of printmaking practices in his ongoing investigation and recontextualization of the familiar American landscape.
In addition to his painting and drawing practice, Lukas is self-taught printmaker with a background in Œzine publishing and non-traditional use of print media. For this exhibition he will present several new editions, a new artists‚ book, diazotypes, sculptures, offset lithographs and unique works based in printmaking as parts of an ambitious installation at the gallery. Eschewing the concept of using print merely as a means of reproducing an already existing image, all of the work presented here is unique to it‚s medium.
A highlight of Prints & Photographs; Copies & Concrete will be the release of a brand new print portfolio created for the exhibition. Containing 12 images all measuring 11 x 17 this edition of 15 will include offset lithographs, screenprints, digital c-prints, diazotypes and unique photocopies.
The exhibition will also feature several of Lukas‚ landscape drawings.
Alex Lukas’ highly detailed works on paper and intricate artists’ books examine a possible future of destruction and violence, coupled with rebirth and a quiet sense of optimism, alongside an examination of the contemporary landscape. His drawings contrast the contemporary reality of post-industrial cities with fictitious portrayals of an impending end-time. Lukas’ work refers to 19th-century grand depictions of the American landscape – where the land we inhabit was a place ripe for discovery questioning the premise of strength and promise inherent in that tradition. Filled with allusions to habitation, Lukas examines how we commemorate our experience of place and the way we communicate outside the digital realm. By declining to answer the pressing question of “What happened?” his images remain devoid of a clear narrative and instead ask viewers to reflect on their own experience, values and concept of loss and re-growth. Lukas’ recent installations have incorporated plant life, florescent lighting, industrial shelving and discarded construction materials. Coupled with diazotypes, unique photocopies and offset lithographs – all recently or almost antiquated methods of reproductions – alongside his drawings, Lukas utilizes these materials and mediums as a means to question traditional depictions of time and narrative, specifically past versus future.